Often she found herself sitting and looking, sitting and looking, with her work in her hands until she became the thing she looked at - that light for example.
It was odd, she thought, how if one was alone, one leant to things, inanimate things; trees, streams, flowers; felt they expressed one; felt they became one; felt they knew one, in a sense were one; felt an irrational tenderness.
Losing personality, one lost the fret, the hurry, the stir; and there rose to her lips always some exclamation of triumph over life when things came together in this peace, this rest, this eternity.
All of this [her thoughts] danced up and down, like a company of gnats, each separate, but all marvellously controlled in an invisible elastic net - danced up and down in Lily's mind, in and about the branches of the pear tree.
There is a coherence in things, a stability; something, she meant, is immune from change, and shines out (she glanced at the window with its ripple of reflected lights) in the face of the flowing, the fleeting, the spectral, like a ruby. Virginia Woolf, "To The Lighthouse"